Two years ago, we started the journey of creating a degree that would address the current and future needs of music students at Houghton College. Today I found out that the degree had been approved by our second accrediting body - NASM (National Association of Schools of Music). The journey has been one of great triumph and, at times, extreme frustration. I have learned a great deal from this process - both personally and professionally. And, while I have wanted to throw the "towel" in and give up at times, it has been the journey that has been the most rewarding.
There have been some key lessons I have learned along the way and wanted to share them here so I could look back and remember this time - and the crazy journey. Here are some good lessons learned on this journey:
1. You will be the greatest champion of something you deeply believe in.
Don't expect everyone to get as excited as yourself when you are on the journey. At times you will feel like a lone wolf. That is not a bad thing. We are motivated by what we are passionate about and others will not be as passionate when it has nothing to do with them or their passions.....and that is OK.
2. Success requires hard work - and a steep learning curve.
Success and the learning curve require focus and perseverance. I will be the first to admit that both of those are not my strongest attributes. I was diagnosed with ADD later in life which brought about an "aha" moment of why I couldn't stay focused for a very long time. Through understanding and hard work, I came up with systems to help me stay focused - and on task - when dealing with my ADD. Now, throw in the mix of putting a degree together and there were days when I felt like the wheels were going to fall off my brain. This degree challenged me beyond what I felt I could be - and taught me more about myself and success then any one single thing I have done. Success in anything is hard work...I kind of knew that from life lessons, but this process brought that "hard work" thing to a whole new level.
3. Failure is going to happen along the way.
I would love to write here and say that our first attempt at having our music industry degree approved was a complete success. It wasn't. With New York State it only took around a month, but our other accrediting body (NASM) took two years with two full out rejections. Failure happens...and when it does we can either give up - or get up. Failure is a way to reevaluate and then readjust our course. It took two failures to reevaluate and then make the necessary changes to make sure the third time was "the charm".
4. Keep the main thing, the main thing.
Along this process I was pouring myself and every waking minute working on this degree. One day my former and wise bossman said to me, "Kevin...you need to keep the main thing, the main thing." What he meant was keep your priorities straight - which is your wife, your home and relationships. He assured me that the paperwork would still need work the next day, so go home and focus on what matters...my wife and home. In life, always keep the main thing, the main thing. Hard work is a good thing, but being a workaholic is not.
5. The journey is the destination.
We have reached our goal and destination...a new degree. All along I thought that the end result was the most important. It wasn't. The journey was the goal all along. The journey was filled with triumph and disappointment, extreme happiness with extreme frustration and moments of fast movement with months of waiting. The journey tested and stretched me along the way, but every step of this journey has been rewarding - no matter the stress or frustration. I don't want to go through this process again, but I wouldn't trade it for anything because over the past two years I have grown more than previous years within my career. I have also learned about myself - both strengths and weaknesses which is a very good thing.
Now...time to celebrate this journey!
In a few weeks, I will be saying goodbye to my assistant - John Buteyn. I have been wanting to write a fitting tribute to my assistant for some time, but every time I started thinking of writing this...my brain went into denial that he was leaving. I would then close my laptop and try not to think about this approaching day.
Many of you who visit this site (and blog) do not know John. But to me, John has been my right hand man for four years or so, and a brother-like friend for over seven. John was the first person I worked with as the new Director of Sound and Recording at Houghton College. From the start, I knew that John and myself would have a good working relationship, and more importantly, a good friendship.
A wise man once told me, "Kevin, when you meet a friend...a true friend, never let that friendship go because true friends are very rare in this life. When you meet the type of friend that 'gets you'...make sure you stay friends. That type of friend will walk the mountain tops and the valleys with you". The wise man, also known as my high school music teacher, was right on. I have traveled this earthly road for 45 years and have rarely found "true friends". I have many "friends", as a matter of fact over 3,500 "friends" on Facebook, but I have very few "true" friends...the kind of friend that sticks closer than a brother and gets me as a person. Many people become your friend with an agenda in mind. For many, that agenda is breaking into the music industry or befriending you to swindle you out of your industry contact list. I have had a few "friends" in my lifetime who attempted to use me as a stepping stone for the next level in their career...a few church tech "friends" come to mind here.
What I have always liked about John is that he never became my friend to "use" me, nor did he have an agenda to gather my contacts. He became my friend because we had so many common interests, especially in music technology and recording. We would sit in the office during the slow conference season time dreaming about Houghton, and what it could look like if we ever offered a music technology or a music industry degree. At the time, that seemed like a big huge pipe dream and talk, but as every year passed our dream and talks started becoming reality. It was the dream and vision that drove both of us at work - and common interests that drove our friendship.
After my first two years at Houghton, John went away to Georgia Southern to pursue his master's degree in music technology. When he left, during that time, you could feel the void that was left in my department. The old Charles Dickens phrase from A Tale of Two Cities, "It was the best of times, it was the worst of times..." was being lived out in real time during the years he was away. The department and staff just wasn't the same with John gone.
Then John came back. At first is was to head up the summer conference tech team. Eventually, after a couple of years and a couple of jobs he worked around Houghton, we were able to hire him in my department as the Assistant Director of Technical Arts. And a new (and very cool) chapter started to be written again.
This past year, John, our boss and myself, started to create and pursue a major in music industry at Houghton College. Everything we had talked about seven years prior to this, started to become reality. We created a music industry minor, had upwards of ten new courses approved and finally a music industry major approved at Houghton. I don't think either one of us could believe how much was accomplished this past year. At times it was stressful...and at others times it was filled with celebration.
And so, it seems right that John is now leaving to pursue the next chapter in his life. In the time he has been at Houghton, and my assistant, we have seen great things happen. We have had a lot of fun and laughs with events, concerts, conferences (for the most part), classes, our team and most of all our friendship. Bill Hybels (a leadership guru - look him up) once said at a leadership conference, "Surround yourself with the best. Because you are only as good as the people you surround yourself with." For me, John was and is the best. He has been the definition of excellence and work ethic. He is a great husband to Kaylan, a great father to Fin and has been a great friend and brother to me. My only hope is that each person who reads this will have the same fortune that I have had these past seven years. I hope that each of you will find that person who makes you not only a better teacher and tech, but a better man or woman. As iron sharpens iron....Yohann, you will be missed.
This article appeared here, but it was too good not to share. A lot of truth in this post.
A few years ago I shared some thoughts on how to annoy your sound engineer. They seemed to be helpful to people so I thought I’d share some more. Obviously, you might not want to implement all these suggestions on the same Sunday.
Make him touch your ears
You’re too important to learn how to put your ear monitors in the correct way, or in the correct ear, so make him do it for you. Bonus points if you make him try to figure out how to put your belt pack on without getting sued for harrasment.
Have long rehearsals
Sound engineers have nothing better to do than sit at the console while you rehearse that one song again. They love being trapped there while you figure out what songs to do. They don’t mind a bit not being able to go home and sleep because you’re goofing around. It’s fun for them!
Sing like you’re telling secrets
If you can master the art of singing with a whimpery, yet raspy, yet emotional, yet passionate, yet secret whisper from the inner regions of your soul, your sound engineer will have no trouble at all finding a good place for your vocals in the mix. Bonus points if you choose random moments to sing normally before reverting to the whisper again. It’s hilarious.
Tell him what you think about the mix when you’re on stage
You’re standing on stage. You’re behind the speakers. You can’t actually hear what it sounds like in the room. But go ahead and tell him it sounds like your guitar isn’t loud enough. Keep telling him. Until your guitar sounds loud enough to you. You’ve successfully made him your best friend.
Display your awesomeness
First song: you’re on acoustic. Second song: you’re on accordion. Third song: back on acoustic. Fourth song: floor tom. Fifth song: you’re on banjo (but let’s be serious: you can’t really play banjo, so he should turn it down so no one knows). Sixth song: you’re on electric. Your sound engineer will love you.
Can you do me a favor and give me a bit less hi-hat, and bump up the kick by 2b, and pan the electric to the right, and give me about 6db more acoustic in my left, and give me a bit more reverb on my vocal?
Oh and can you get me a Latte too? OK thanks.
Throw him under the bus
Lets say you get an email from Verna, a long-time member of the church, and she complains that it was too loud on Sunday. What should you do? Blame the sound engineer. You are not responsible for your music. Throw the sound engineer under the bus and go buy yourself another scarf.
Expect him to do eight things at once
1. Run sound. 2. Run monitors. 3. Run projection. 4. Record the sermon. 5. Hand out assisted-listening devices. 6. Control lights. 7. Play the video at the right time. 8. Touch your ears. He’s superman.
Give feedback feedback
He loves when you do this! Hear feedback? Tell him you hear feedback. Try to recreate the feedback by thumping your mic with your pointer finger. Or, better yet, try to fix the feedback by holding the palm of your hand over your mic. Then you might create even worse feedback, in which case you can prove to your sound engineer that you really were hearing feedback. Then he might kill you.
Pretend his first name is “Hey”
All sound engineers have one first name, and it’s “Hey”. Seriously, it’s so convenient. “Hey, can you turn my mic on?” “Hey, can you give me a bit more keyboard?” “Hey, can you bring me my scarf?”
What am I missing (besides my Latte)?
I remember when I started making music back in high school and college. I also remember the struggle of writing new songs, but there was so much fun in the struggle. Back then I had something to prove, so I would spend countless hours throughout the night writing and rewriting parts, lyrics and rhythms. There was something so amazing and so fresh about those days.
You see, they were the days before life became complicated with bill paying, 40 plus hour work weeks and multiple responsibilities. There are many days I long to go back to those days when everything seemed fresh and new. I also long for those days in the music industry. Things change, we all know that and sometimes for better, other times for worse. Currently, the music industry is a logistical mess attempting to make its way back to the glory days of old. The problem is that those days will never come back. This is a new day in the music industry with digital and streaming services driving the current industry model.
I also know that many artists long for the simple days before the business took over their lives. The reason most artists get into the music business is to make...music. They are artists at heart and they could not picture life without writing or making music. They breathe it and love it. The definition of an artist is; a person who displays in his work qualities required in art, such as sensibility and imagination. Many of today's artists fit that definition through and through. The problem isn't that they have forgotten what the definition of artist entails, it is that the business of music gets in the way of the creative process. We recently watched, in my class at Houghton, the documentary Artifact which follows the story of Thirty Seconds to Mars making their third album This Is War. In the documentary, the band is being sued for thirty million dollars for breach of contract. The film shows the band struggling to create great art while being distracted with the business end of the industry. The question raised in the documentary is, "Can art and business coexist peacefully in the music industry?" I believe it can, but it doesn't. This is the reason why so many artists long for the day when they were a "nobody" and there wasn't pressure to perform or write a hit. You made music... for the love of music.
The other night I was driving home from Houghton College, where I am employed as a the Director of Sound and Recording, and a music industry instructor. It was about 1 AM as I was making my way back through the dark lonely roads between Houghton and my house. I turned on the radio to keep me company and heard these words:
Yeah, yeah, somebody take me back to the days
Before this was a job, before I got paid
Before it ever mattered what I had in my bank
Yeah, back when I was tryin' to get a tip at Subway
And back when I was rappin' for the hell of it
But nowadays we rappin' to stay relevant
I'm guessin' that if we can make some wishes outta' airplanes
Then maybe yo maybe I'll go back to the days
Before the politics that we call the rap game
And back when ain't nobody listen to my mixtape
And back before I tried to cover up my slang
But this is for the hater, what's up Bobby Ray?
So can I get a wish
To end the politics
And get back to the music
That started this sh**?
So here I stand and then again I say
I'm hopin' we can make some wishes outta' airplanes
The song started to move me. I could hear the emotion and passion in the vocals. I could hear the longing for the simple life. I could see the small room as this artist started to write songs. I could see the tiny venues with family and friends supporting the unknown artist. And, I could see myself. I saw myself buying my first piece of studio equipment. I saw the tiny second floor room in Norton Village in Rochester where I started creating computer music. I saw my small beginnings before life became complicated. And at that very moment, listening to those lyrics, that song partly became my story. And in a strange way, at that moment, I fell back in love with this amazing thing called music. We all need reminders from time to time, and that song was mine.
Last night we were treated, or at times not so much, to The Grammys. Like any awards show, there were highlights and slight train wrecks. Last night's show seemed to have more highlights than train wrecks of years past. I compiled a list of my favorite moments - and some moments that shouldn't have seen the light of TV. Here are the highlights - both good and bad (you decide which was which):
1. Pharrell's Hat - If anybody else, besides him, sported a hat like that they would be recruited for the Canadian Mounted Police. And while some people are making a joke out of it, a lot more are embracing it as a fashion statement. In case you missed it, it looked as if Pharrell may have mugged Smokey the Bear on the way to the Grammys.
2. Jay-Z's Grammy Speach - His last line, "Blue, Daddy got a gold sippy cup for you" and his compliment to his beautiful wife - Beyonce.
3. Katy Perry's Giant Hamster Ball - Where else can you see so much over-the-top entertainment - besides Disneyland or an amusement park? Her performance was then topped off with a reenactment of being burnt at the stake...not sure what that was all about.
4. Imagine Dragons and Kendrick Lamar's Radioactive Mash-Up - And that is all. Watch it on YouTube.
5. Madonna's Golden Grill - could somebody send her a memo reminding her that she is a pop singer, not a rapper.
6. Daft Punk with Stevie Wonder, Niles Rodgers and Pharrell - It's about time that somebody brought the funk, soul and groove back to music.
7. Taylor "Metallica" Swift - headbanging to her country-pop song "All Too Well". I hope her chiropractor is on speed dial...or is that speed metal?
8. P!nk's Cirque du Soleil Performance - if her music career stalls, she has a solid "plan b".
9. Lorde's performance - particularly the homage to Doctor Who and the weeping angels. Not sure if that was intentional or not, but it was a bit freaky.
10. Paul and Ringo - last, but certainly not least, was seeing the two remaining members of The Beatles together on stage performing. This was my favorite moment by far....magical.
I have been reading a lot of posts lately about creative people types and why they are hard to understand - or why they do not make sense at times to certain kinds of people. I wanted to share, what I thought, was the best post about creative types. I know that many times I felt "backwards" in comparison to others - and it took me some time to figure out why I felt that way. Then one day it really hit me...I am an eccentric creative which naturally puts me at odds with other people that can not understand my mindset - or how I think. Once I figured that out, life was more enjoyable with reduced stress. Here are the reasons why creative people do not make sense....
Most creative people have a great deal of physical energy, but are often quiet and at rest. They can work long hours at great concentration.
Most creative people tend to be smart and naive at the same time. “It involves fluency, or the ability to generate a great quantity of ideas; flexibility, or the ability to switch from one perspective to another; and originality in picking unusual associations of ideas. These are the dimensions of thinking that most creativity tests measure, and that most creativity workshops try to enhance.”
Most creative people combine both playfulness and productivity, which can sometimes mean both responsibility and irresponsibility. “Despite the carefree air that many creative people affect, most of them work late into the night and persist when less driven individuals would not.” Usually this perseverance occurs at the expense of other responsibilities, or other people.
Most creative people alternate fluently between imagination and fantasy, and a rooted sense of reality. In both art and science, movement forward involves a leap of imagination, a leap into a world that is different from our present. Interestingly, this visionary imagination works in conjunction with a hyperawareness of reality. Attention to real details allows a creative person to imagine ways to improve them.
Most creative people tend to be both introverted and extroverted. Many people tend toward one extreme or the other, but highly creative people are a balance of both simultaneously.
Most creative people are genuinely humble and display a strong sense of pride at the same time.
Most creative people are both rebellious and conservative. “It is impossible to be creative without having first internalized an area of culture. So it’s difficult to see how a person can be creative without being both traditional and conservative and at the same time rebellious and iconoclastic.”
Most creative people are very passionate about their work, but remain extremely objective about it as well. They are able to admit when something they have made is not very good.
Most creative people’s openness and sensitivity exposes them to a large amount of suffering and pain, but joy and life in the midst of that suffering. “Perhaps the most important quality, the one that is most consistently present in all creative individuals, is the ability to enjoy the process of creation for its own sake. Without this trait, poets would give up striving for perfection and would write commercial jingles, economists would work for banks where they would earn at least twice as much as they do at universities, and physicists would stop doing basic research and join industrial laboratories where the conditions are better and the expectations more predictable.”
If I were to ask my students to name an amazing producer or mix engineer, many would not be able to do it. Once upon a time, you sat in front of your stereo, unwrapped a freshly packaged vinyl album, cassette or CD and read all the credits while listening to a new masterpiece. For me this magical experience came in the form of Def Leppard and the album "Hysteria". I remember the day vividly as I sat in a dank, cold dorm room listening to this amazing sonic explosion coming out of my speakers - over and over. The album absolutely mesmerized and hypnotized me - so much so that it would stay in my CD player for three months. The album was played so much that my dorm mates would end up giving me a Golden Pear Award for the most likely person to work with Def Leppard in the future. As I was reading the credits inside the liner notes of this incredible album, the name Mike Shipley kept appearing. This was the day before internet and easy access, so you had to do some major investigating to find out about this magical mix engineer. I could go into Mike's long list of top artists that he produced and mixed, but you will have to do that on your own. His credits are truly amazing.
It is sad that we so quickly forget - or maybe don't care - about the people who make the industry "go 'round". If I said the name Lady Gaga many of you would instantly know and visualize the eccentric blonde haired bombshell with the wacky outfits. But if I were to say the name Zedd, who would know of the person I speak? He is Lady Gaga's producer - as in the person who makes her and her songs sound incredible. In this day of iTunes and quick downloads, most of us do not even care to take a look at the "people behind the people". Yet those of us in the industry, know and do care tremendously. So let me take a moment to care and talk about the late Mike Shipley.
Many times we view guys like Mike as being untouchable and unreachable because their accolades are so enormous that they wouldn't even bother talking to us "lowly engineers". Mike was not like that, and to the contrary, was very involved in the lives of us "lowly ones". He would post on the Gearslutz forums and share with us his engineering knowledge regularly. He would answer any question directed at him under the moniker "shipshape". I heard great stories from others about Mike mixing an indie album for a beer and some lamb chops. He was a man who cared more about the industry than money or prestige. His last video appearance, talking about his craft (you can view the video below), was on Pensado's Place where he gladly shared his wealth of knowledge with the rest of the engineering community. He was a giving person, not selfish in the least and was not in the industry for selfish ambition or promotion. He loved music and loved the people in the industry. He was always in his element behind the board - or at the producer's helm. He loved the people he worked with and the people loved him. On July 22nd, we lost this industry giant and amazing talent.
So, what can we learn from a man like Mike Shipley? Passion, excellence and humility. Passion for music and this awesome field of engineering. Excellence in the way he crafted each mix - sonically beautiful and pure. Humble in the truest sense of the word - family members weren't aware of projects he had been involved with. I want to encourage each person who reads this blog to go out and find out about the people who have worked on the albums you love - the "people behind the people". People like Mike.
Though Mike has passed, his music and productions will live on for years, decades and centuries to come. I am a testament to Mike's life. At the age of eighteen, I put on a Mike Shipley mixed album and heard sonic perfection. I decided at that point that I wanted to learn this craft and how to mix like the man who mixed that album. And so began my journey to become the next Mike Shipley. I may never win a mixing or production Grammy like Mike, but my life has been rich in attempting to hit the excellence mark of this man. May you now rest in peace, Mike. You will be missed by all.
Rude and arrogant people tick me off. Yes, they do - big time. Some of the human race should go to some kind of manners training institute. And for others, they need a full degree in ethics and manners - or programming in the fine art of non-arrogance. Let me explain...
Last week I went to a Daughtry, 3 Doors Down, Halestorm and Bad Seed Rising concert. Like any concert, there are people who really love the music and band. These people scream, cheer, dance and sing along with the music. I love people like this. They are passionate about the music and artist. It is refreshing seeing people who are into the music. At the concert there were - for some reason - a lot of older people. I mean like REALLY old - retirement age old. I am not against "older" people going to a rock concert. I believe wholeheartedly that older people can rock just as much as younger people. Except for the older couple sitting in front of me with Grumpy Smurf scowls. Mr. and Mrs. Grumpy Smurf, who stayed seated the whole time, started complaining about the young gal in front of them who was standing up cheering singing, and dancing as 3 Doors Down performed. About two songs into the set list, this old-ish couple stood up, marched down the steps, stopped for a moment to yell at the young gal and then proceeded to exit the concert venue. The young gal just stood there in disbelief. Mr. and Mrs. Grumpy Smurf ruined the young gal's concert experience for a moment. I wanted to run down the aisle and say to Mr. Grumpy Smurf, "Hey there. I noticed you yelled at a young lady having fun at a ROCK CONCERT. I think a Rochester Philharmonic concert is more your speed. Next time go there instead." Many days I scratch my head trying to figure out why manners and hospitable people are hard to find now days. As years pass, I see more and more people becoming more selfish - and self absorbed. I also see a lacking of common sense. Common sense should have told Mr. and Mrs. Grumpy Smurf that if they showed up to a rock concert then people would be on their feet dancing, singing and cheering. Having manners should have told them that yelling at a young person having fun at a concert was a very dumb idea. Duh.
At this same concert, I overheard some people complaining about the price of the concert tickets and other life topics. I thought to myself, "Well, if people bought their music then maybe the prices of concerts would go down a bit". Back in the "good ole days" artists would perform shows for their fans, but it wasn't a concert driven industry. Back then CD sales could support the artists or band. Now in order for artists to survive they have to tour. The industry has shifted. I could go on and on here about illegal downloading and the state of the industry - but I will save that for another blog.
When the concert finished, we were in a traffic line trying to make our way out of the parking lot. I looked to my left and saw this older man with his older man-friend cutting through traffic at a speed not fit for the congestion present. There were a few things wrong with what I was witnessing. The first thing; he was in his later 50's (I would estimate) and driving an ugly banana yellow Porsche convertible. Come on....really? That color...on that car? He should have painted "mid-life crisis" in bright fuchsia on the hood and doors because the car was screaming that out loud. Second thing; he almost ran over one of the concert goers and laughed when it happened. The female concert goer yelled some very colorful words, and I believe was totally justified in doing so. I then chimed in with a few words of my own - and a bit less colorful than hers. I just simply asked, "Having a mid-life crisis, huh?" Third thing;, he came about three inches from hitting us in the front end of our car. That may not have been a bad thing since it was very apparent he had a lot of money - and could have bought me a new banana yellow convertible Porsche. In which, when receiving said Porsche, would immediately go to a body shop and be permanently painted black. This man and his friend were and are the poster children of rude, arrogant and manner-less people. God help us.
In my line of work, I have a lot of contact with interesting people. Some are gems, and I absolutely love being around them. Some are arrogant and manner-less - I leave drained and exhausted when I work with people like that. But one thing that I will never get (maybe its my age) are the young engineers, producers and artists that think they know everything. It just seems like many of the new generation are more rude and arrogant than the previous year's crop - and generation. Some have an opinion on anything and everything. Instead of listening to the wisdom of others, they ignore it and then get frustrated when their careers are stalled. Some think that success is an easy road and that it happens instantly. I like to call that the McDonald's mentality. I want it quick and I want it now. When I try and explain to them that it takes time to be successful, they close their ears and minds. Not every single person is like this - so I do not want to generalize a whole generation. There are rare gems, occasionally, that actually listen and absorb.
When I meet a rare gem, I take great care in teaching and mentoring them. I want to do my best to make sure they are successful. When I meet the arrogant person I do my best to reach out, but if they will not listen or change then good riddance (Ain't nobody got time for that). Sometimes people get a little bit of information, and then think they know everything about music, sound and engineering. Sometimes it gets disheartening having to deal with people like that over and over.
Recently, corporations were asked to list the top things they look for when hiring. Within the top ten, the words teachable and team player showed up. Teachable means you are willing to learn - and want to learn. It means you absorb, like a sponge, the wisdom of industry people. Normally, teachable people make it in this industry and other industries. Yet, every year it is becoming harder and harder to find those teachable gems. Team player means just that - you work well with others. You give credit to the team when you succeed and never take all the credit. Not one person in this industry - or other industries - succeed without good people (or a good team) surrounding them.
So, in this day and age where manners are lacking and arrogance seems to run rampant; what does it take to succeed? The answer is pretty simple....be the opposite. If a person becomes the opposite of the "norm" then that person will stand out as the exception. I (along with many others) want to work with the exceptions. I want to work with the teachable, non-arrogant, well-mannered people who are passionate about this industry.
Be the exception.
About a week ago I received a call from my landlord's son. My wife and me rent our comfortable, beautiful and renovated carriage house from an elderly woman (83 years old to be exact). We would have purchased a home by now, but I had some doubts as to what our future may bring and wanted to stay mobile - "just in case". The son brought us the news that his mother (our landlord) was experiencing dementia, and the family had made the decision to have one of the children move closer to their mother so they could take care of her. The son stated that we had 60 or so days to move out - but he also stated he would work with us. I definitely can relate to this scenario. My mother who is sixty six had a massive heart attack about a year ago. My wife and me have been discussing how we could get my mom and dad closer to us. So it didn't come as a big surprise when the son informed us of his mother's ailing health. We had discussed this very scenario a few times in our years at our current rental home, but never came up with plan B.
If you are like me, and I know I am, then you will understand the statement, "I do not like change". I am sure I am not the only person out there that dislikes change or changing. I want my world to be orderly, somewhat predictable and organized. When things change it can ruin my day - or what I like to say, "It eats my lunch". But there are some things that are totally out of my control, and in this particular case it was my elderly landlord. Yet change can be a good thing, and it can be a healthy thing. In our case, it has moved us to pursue buying a home. For others, it stretches them out of their comfort zone to do something great. Of course, this ordeal is definitely stretching me out of my comfort zone a bit. And if you haven't been able to tell already, I do not like stretching very much.
The same could be said about the music industry...The Times They Are A-Changin'. I know many engineers and producers who are fighting the change. In fighting the change, they are just prolonging the inevitable that the music industry will never return to its former "glory". It is a never-ending cycle of change from music styles to recording techniques....and personnel. People come, people go; styles come and styles go, but the world keeps turning around.
In these changing times we either adapt - or we die. We adapt to the new business model or we no longer stay relevant to the cultural shift, thus dying out. I know a lot of engineers and producers who have adapted to the change. They focus on platinum acts, but they also produce indie bands. They have changed their pricing structure to meet the demands of the new business model, and many of them are doing quite well. I also know many who refuse to change, and they voice it constantly on social media sites or forum groups. Maybe the saying is right, "You can't teach an old dog new tricks". In this case, you can't teach an old engineer a new way of doing business. Yet, many of the younger generation could benefit from the wisdom of these guys.
So, it is a new day. It is a new day in my personal life - getting up and crawling the web for home listings. And, it is a new day for the music industry. A new day to figure out how to change with the changes within the music industry. How you go about changing is totally up to each of you - but I am sure persistence and perseverance will be key with a touch of flexibility. The times they are definitely changin', have changed and will continue to do so. Now it is our turn to change with them.
I have been a nomad for quite a while, traveling all over the globe with bands and business. I grew up in a small area of New York State - Corning, NY. The older I get, the more I appreciate that small city and area. In my young years, I use to think, "When I turn eighteen, I am going to kick the dirt off these shoes and leave this lame area behind. I am going to become a rock star and make something of myself." When I turned eighteen I applied for a college in the Philadelphia area, and true to the words spoken....I shook the dust from my shoes and left the Corning area. I would only return briefly to work during my college years - and to live there for just a few months after college. I have been away for over nineteen years. Do I still visit? Yes, I do. The reason is that all of my family live there, which forces me to make trips to the area pretty frequently. I love going home now...it feels familiar and warm. It feels like home.
So, what does this have to do with music, music technology or music business? Nothing. I just thought all of you would want to know where I was born and raised....no? OK then, what this has to do with music - and this industry - is never forgetting your roots. During my travels and time away, I started to forget where I had come from and stopped appreciating it. My dad was a hard working contractor who put his dreams on hold so that his kids could see their dreams realized. My mom was a stay at home mother who wanted to get an education to better the family, but she felt a duty to raise us boys so we could get a better education to better ourselves. Both of my parents put their dreams on hold so we could pursue our dreams growing up. I always had a "chip" on my shoulder growing up and thought everything I had accomplished was the result of my own hard work. I forgot the sacrifice my parents had made - and I forgot that small community of people who always cheered me on. In other words....I forgot my roots. Recently I have been reconnecting with old friends from the Corning area. I realized that many never left the area. It hit me one day....I forgot them along the way too. My whole journey has been one of forgetting my roots, but within the past two years I see myself appreciating where I came from more and more. And in a way, I have been returning to those roots quite a bit.
See, many artists and musicians forget their roots too. They forget the struggle to get where they are today. I mean if you travel and perform 200 shows a year, everything eventually starts blurring into one. When that happens, you start forgetting where you came from, what got you to where you are and the people who helped you on the journey. I was there; it happened to me. It is easy to forget. But there are artists who still remember and stay grounded.
The other night I was watching a documentary on Eminem. I had a chance to meet and talk with Eminem before he was huge - back when. He was a driven rapper who wanted nothing more than to succeed so he could give his child a great life. Eminem forgot his roots - but not for long. He had a revelation of sorts, a moment of clarity. He is from Detroit. He knows it, he is not ashamed of it - he embraces it. He embraces it so much that he currently lives in Michigan. Many artists move to LA, NYC and Nashville - but not Eminem. And there are more than just him, but for the sake of keeping this blog, blog length I will stick to Eminem. Eminem hasn't forgotten his roots or the city he loves - Detroit.
It is important to always remember where you are, where you are going and where you came from. Never forget the struggle to get were you are - or forget the people who got you to where you are today. Nobody ever rises to the top on their own accord...it takes hard work and people believing in you (and helping you to succeed). For many, it was a person (or people) who mentored and poured themselves into you. For many, it could have been one person who gave you your "break" to be able to do what you love so much. For others, it was a music teacher (or any teacher) who saw the talent and then did everything they could to help you along on your journey. Roots.
I have so many people that fall in those categories that I would need a separate blog - or book - to thank them all. I hope they all know how much I appreciate what they have done for me - and I hope they know that I will always remember them. Never forget your roots.
Kevin "Danger" Jackson is a New York-based producer, engineer, composer, performer, educator and Berklee College of Music alumnus. He writes, produces and engineers music for a wide range of artists in the pop, hip-hop, rock, R&B, classical and electronic genres. His work can be heard daily on a multitude of albums, radio and television stations worldwide.